Poiesis Bruscky arose from the particular attunement between Paulo Bruscky (artist and inventor) and Adolfo Montejo Navas (poet and critic) over almost a decade of communications, meetings, and activities in short, of meticulously and elaborately interwoven aesthetic, critical, and vital instances of complicity. Perhaps that is why there has been no attempt to do a canonical or conventional book, but rather a book-album-work in the image and likeness of the heterodox activity of Bruscky, who is generous in his visual, textual, and documentary dimensions and contributions, and who is particularly steeped in an artistic polysemy of its own brand, guided by an expansive poetic source, its doors open to the field and, therefore, contrary to any tautological or instrumental notion of reality.