John Huston's Filmmaking analyzes the career of one of cinema's most versatile artists. Lesley Brill argues that Huston created a body of work far richer than the formulaic stories of masculine failure with which he is often credited. Stylish, superbly scripted, and informed by a wry sense of humor, Huston's films portray characters who attempt to conceive their identities. His work consistently returns to questions of love and mortality; of happiness and home; of society and the individual; and of the connections among what one of his most famous characters called "the Lord or fate or nature."